10 underappreciated movies on Netflix
And you can find that in early silent movies, you can find that in magazines that go back farther than that. It takes on a different style for different times, and maybe on the surface it looks more this way, or that way, but basically it’s the same thing.” More coverage Tupac Shakur biopic to be filmed in 2014 In Don Jon, which won praise at its Sundance Film Festival premiere in January and opens in theaters everywhere Friday, Gordon-Levitt plays a Jersey boy, a modern-day Lothario who dutifully works out in the gym, goes to confession, eats pasta with his family, picks up and beds down a parade of women, and, in just about every other waking moment, flips open his laptop and heads for the porn sites. He’s hooked. And then he meets Barbara – a tube-dressed, super-coiffed, beguiling Scarlett Johansson. Finally, this could be something serious, he thinks. If only she doesn’t find out about his porn fixation. “Jon is a character who treats everybody like a thing, whether it’s the women in his life, or his friends, or his family, or his church,” he says. “Everybody is sort of a thing, an object to put on a shelf, at the beginning of the movie. And then, hopefully, by the end, he begins to break out of that a bit and connect more with people.” Gordon-Levitt said that even as he was writing Don Jon, he had Johansson in mind for the key role. “I always was picturing Scarlett playing this part. .
On Movies: Joseph Gordon-Levitt’s ‘Don Jon’: Getting past that objectification thing
Given gravitas by Christian imagery and a mood of millennial survivalist desperation, this pulp procedural joins a long line of films that sell themselves by way of the very depravity and malignant moral imagination they pretend to deplore. Ann Hornaday 1/2 Thanks for Sharing (R) Although Blumbergs script focuses on the fraught romance between Adam and Phoebe, it is, improbably, the relationship between Neil, whom most people would consider a creep, and Dede, a woman who might once have been called a nymphomaniac, that is the films sweetest pleasure. Their platonic friendship (yes, platonic!) is rendered with great humor, poignancy and dignity. Michael OSullivan (No rating) The Wizard of Oz 3D IMAX (PG) Seeing The Wizard of Oz on the big screen also offers an opportunity to consider the incredible special effects, considering the film was shot more than seven decades ago and long before computer-generated imagery. The black-and-white scenes of Dorothy battling against the wind as a twister approaches were especially transporting. Stephanie Merry 1/2 Wadjda (PG) Youre seeing a world on screen that, until now, has been largely hidden from the filmgoing world at large. Because in addition to being a terrific garden-variety coming-of-age film, Wadjda happens to be the first feature-length movie ever made in Saudi Arabia all the more notable in that its been made by a woman, about a young girl chafing against the religious and social strictures of a kingdom literally shrouded in sexual anxiety, misogyny and severe repression. Ann Hornaday 1/2 Salinger (PG-13) While much of the movie consists of variations on this same theme that Salinger was a brilliant, flawed man the film also delves into more salacious matters, including the role of Catcher in the shootings of Ronald Reagan, John Lennon and Rebecca Schaeffer (gunmen John Hinckley Jr., Mark David Chapman and Robert John Bardo were all fans of the novel). Stephanie Merry The Henchmans War (Unrated) Greene, a native Washingtonian with a handful of local directorial and co-producing credits on his resume, has an eye for urban grit and an ear for tough-guy dialogue. He makes excellent use of his shadowy locations, lending War the coveted visual grime that enhances such pulp-noir material. Sean OConnell 1/2 Battle of the Year (PG-13) Lee is attempting to keep a spotlight shining on b-boy culture, an aggressive style of street dancing that consists of body-contorting twists, flips, leaps, spins and poses set to hip-hop music. Lee showcased this next level of competitive breakdancing in his award-winning 2008 documentary Planet B-Boy , and a feature film building on that awareness makes complete sensejust not five years later, when the fad appears to have faded. Sean OConnell My Lucky Star (Unrated) Bringing Sophies comics to life, the movie interjects drawings and animated sequences. The camera spins excitedly, and the editing is brisk. Split-screen compositions evoke the 1960s, as do Sophies pop-art ensembles, which include a lilac wig with matching lipstick. This girlie romp is less about martial arts and espionage than stuffed animals and dress-up. Mark Jenkins 1/2 Good OlFreda (PG) Ryan White weaves in archival footage of girls fainting and images of old headlines. The soundtrack consists primarily of Beatles covers. While the tales of the bands spectacular rise create a genial mood, the film feels superficial.
Ultimately, its less about the solution of the mystery than about the crumbling of ideals. Sterling Hayden plays the Hemingway-like husband, and Nina Van Pallandtwho in real life was dating the fake Howard Hughes biographer Clifford Irvingplays his wife. Arnold Schwarzenegger appears in a very early role as a thug. The great Leigh Brackett is credited with the screenplay, and composer John Williams provides a weird score: a collection of alternate versions of the same song. Robert Altman directs all of it with his usual brilliant, rambling, observant style. Timeline (coming 10/1) Heres yet another underappreciated movie, though this time its a slick popcorn movie rather than a demanding work of artistic genius. Adapted from a novel by Michael Crichton (Jurassic Park), Timeline (2003) tells the fairly simple story of a group of archeologists traveling back to the 14th century to rescue a professor; unfortunately, they end up in the middle of a major battle between the French and English. Director Richard Donners simple, entertaining style has worked since the days of The Omen, Superman, The Goonies, and Lethal Weapon, and it works again here. The cast, including Paul Walker and Gerard Butler, isnt exactly memorable, but Donner allows them moments to breathe among the fantasy, focusing more on characters and excitement than on effects. Comedian Billy Connolly and cutie-pie Frances OConnor also star. The Italian Job (coming 10/1) Released early in the summer of 2003, The Italian Job (2003)a remake of a 1969 UK filmwas a solid hit, even though it eventually made less money than the years more bloated, less intelligent hits.